The Best Lenses for the Sony a7S III

Written by Matic Broz Updated on December 4, 2021

The Best Lenses for the Sony a7S III

FYI. I chose the best seven lenses out of a pool of 58 candidates. I only considered lenses that fit the Sony E-mount, have autofocus and image stabilisation, and have an average customer rating of 4.5 or higher. I also consulted a buddy who shoots with a Sony a7S III. This article has helped more than 2,300 Sony shooters find the best lens for their Sony a7S III.

When the Sony a7S III was first released in July 2020, it generated a lot of hype among video shooters, especially YouTubers, vloggers, and amateur video makers. Everyone was excited. Its new full-frame sensor and incredible 4K video capabilities make it a go-to camera for video making. But to create smooth and professional videos, you need top-tier lenses.

Which Is The Best Lens for Sony a7S III?

Which lens you choose depends on your needs and budget. Naturally, everyone wants the best possible image or video quality, but not everyone can afford $2K lenses.

The Best Overall

If you don’t have highly specific needs, I recommend the Sony 24–105mm f/4 G OSS. Its 4.3x zoom range has proven useful numerous times in every situation. Although you might get better image quality with the Sigma 35mm f/1.4 DG HSM Art, it’s not as versatile. If you’re a beginner, the Sony 24–105mm f/4 G OSS is the hands-down best option for you.

Sony - FE 24-105mm F4 G OSS Standard Zoom Lens...
  • G-lens design with 4 aspherical and 3 ED glass (extra-low...
  • Constant F4 maximum aperture maintains exposure and depth of...
  • 9-Blade circular aperture contributes to beautifully de-focused...
  • Minimum focusing distance of just 1. 25 feet provides close-up...

For that price, you won’t find better image quality. Also, thanks to the wide focal length range you won’t need another lens, thus saving even more money.

The Best Quality

On the other hand, when image quality is your highest priority, the Sony 16–35 mm f/2.8 GM is the undisputed winner. It’s an incredibly sharp lens that even professional photographers use for all kinds of photography and videography.

Sony - FE 16-35mm F2.8 GM Wide-Angle Zoom Lens...
  • Designed to achieve 50 Line pairs/mm resolving power
  • Two XA (extreme aspherical) elements w/ high surface precision....
  • Constant F2.8 max aperture maintains exposure and Depth of field....
  • Uncompromising G Master design for smooth bokeh and high...

The bright f/2.8 aperture produces superb bokeh that’s absolutely a must for high-quality videos. So, if video quality is your main concern, Sony 16–35mm f/2.8 is a smart investment, as it will pay of quickly.

However, if you prefer to make videos of distant objects, there’s no doubt you should go for the best telephoto choice, the Sony FE 70–200mm F2.8 GM OSS.

If you’re seriously into videography, these are the best Sony a7S III lenses for video:

7 Best Lenses For Sony a7S III (for video)

Let’s look into the best lenses for your Sony a7S III now:

1. Sony 16-35 mm f/2.8 GM

Sony 16-35 mm F2.8 GM

Compatibility: Sony E
Minimum Focus:
  28 cm (11.02″)
Filter Diameter:  82 mm
Diameter × length:  88.5 x 121.6 mm (3.48 × 4.79″)
Weight: 680 g (1.5 lb)

The Sony 16-35 mm f/2.8 GM is one of the premium E-mount Sony lenses. The 16-35mm focal range helps you capture beautiful landscapes as well as portraits. The “G” tag symbolises impressive build quality and image quality. The lens has a bright f/2.8 aperture that guarantees sharp images even in low-light conditions.

The Sony 16-35mm f/2.8 GM sports an 11-blade circular aperture that guarantees beautiful, top-notch bokeh. It features two DDSSM (Direct Drive SSM) systems that contain the original Sony piezoelectric Auto-focus motor that works surprisingly fast with great precision. DDSSM works silently, which makes it ideal for shooting films.

The lens is also compatible with older Sony cameras. Its compact size makes it easy to carry around without any hassle. It also accommodates an auto/manual focus button and a focus hold button on the side. The body of the lens is made of rigid plastic and weighs just 680 grams, which makes it more convenient to use for longer shoots. The Nano-AR coating on the surface of the lens suppresses flare and ghosting in backlit conditions. Its metallic weather sealing O-ring prevents dust and moisture from entering your Sony a7s III body.

The picture quality is impressive. The images are sharp not just in the centre but throughout the frame. It is one of the finest and fastest lenses available for Sony’s full-frame cameras available for under two thousand dollars. 

2. Sony 24-105mm f/4 G OSS

Sony FE 24-105mm F4 G OSS

Compatibility: Sony E
Minimum Focus:
  38 cm (1.25′)
Filter Diameter:  77 mm
Diameter × length:  83.4 x 113.3 mm (3.28 × 4.46″)
Weight: 663 g (1.46 lb)

The Sony 24-105mm f/4 G OSS is another G premium yet more practical lens than the Sony 16-35mm. With a constant f/4 aperture throughout the zoom range, the lens creates sharp images at any focal length. It’s made of high-quality and durable plastic, while the weather seal is metallic and makes sure that the lens clicks tightly onto the camera.

Its built-in optical image stabilisation substantially reduces the visible camera shake while recording videos or taking photos. Sony’s 24-105mm f/4 also features an auto/manual focus switch, a focus hold button, an optical steady shot button, and it comes with Sony’s Direct Drive SSM (DDSSM) Auto Focus that is quick, precise, and silent. Therefore, the autofocus works as expected for a professional lens, making it suitable for recording films and capturing photos.

The Sony Nano AR coating prevents oil or grime from sticking to the glass and prevents flares and ghosting. The lens hood is included in the package.

It’s a versatile lens, most suitable for travel photography and videos. The range of 24-105mm is perfect for capturing landscapes and close-up portraits. You can also use it for wildlife photography, to some extent. However, it is more suitable for event photography, street photography, and portrait photography. This lens is available to buy online for just over a thousand dollars.

3. Sigma 35mm F1.4 DG HSM Art

Sigma 35mm F1.4 DG HSM Art

Compatibility: Sony E
Minimum Focus:
  30 cm (11.81″)
Filter Diameter:  67 mm
Diameter × length:  77 x 120 mm (3.03 × 4.72″)
Weight: 755 g (1.66 lb)

Sigma 35mm f/1.4 DG HSM is one of the most impressive lenses available for Sony full-frame cameras. Although Sigma designed it to work with full-frame cameras, it’s also compatible with APS-C sensors. Its huge f/1.4 aperture is advantageous when you’re shooting in poor lighting conditions while achieving an extremely shallow depth of field. The label ‘A’ signifies that it belongs to the ‘Art’ category of lenses, a prestige line of Sigma lenses.

Sigma 35mm Art comes with a Hyper Sonic Motor (HSM), ensuring a fast, precise, and refined autofocus. The f/1.4 DG HSM has One F-Low Dispersion (FLD) element and four Special-Low Dispersion (SLD) elements that reduce colour fringing and chromatic aberration. It provides improved clarity and colour accuracy in both pictures and videos. Unlike its predecessors, this lens has an all-metal barrel with a metal mount. It is, surprisingly, not as bulky and heavy as its Sony counterpart. This Sigma lens could prove to be a significant value-for-money product for professional portrait photographers. Because the lens has a brass bayonet mount and a thermally stable composite, it will last a lifetime. The TSC (thermally stable composite) has 25% greater elasticity than polycarbonate, which further contributes to the high-precision construction of the lens. The 35mm focal length also makes it perfect for street photography. It is also well-suited for portrait photography and event photography. You can get a Sigma 35mm f/1.4 Art for under a thousand dollars.

4. Sony FE 85mm F1.8

Sony FE 85mm f1.8

Compatibility: Sony E
Minimum Focus:
  38 cm (1.25′)
Filter Diameter:  77 mm
Diameter × length:  83.4 x 113.3 mm (3.28 × 4.46″)
Weight: 663 g (1.46 lb)

The Sony FE 85mm F1.8 is a compact and lightweight lens, weighing just 371 grams. Its lightweight design makes it portable and easier to handle in real-life situations. It creates a smooth bokeh effect that does not distract the subject from the background. The large F1.8 aperture promises good image quality even in low-light conditions.

It features a double linear motor system for precise, quiet operations that is ideal for film-making. The lens consists of a circular 9-blade aperture that creates a beautiful defocus effect. Like other lenses from Sony, it has a customisable focus hold button along with an AF/MF switch. However, this lens does not offer built-in optical image stabilisation. Most recent cameras from Sony now come with an image stabilisation feature embedded in the body itself.

The lens feels ergonomically well-built. The large focus ring responds quickly and feels grippy enough for a smooth operation. Chromatic aberration is virtually invisible thanks to the innovative Extra-low Dispersion (ED) glass elements. Its dust and moisture-resistant design and other refinements make it reliable to use in just about every weather condition (according to Sony, you may use this lens in light-rain and windy conditions). This mid-range telephoto prime lens is built for extra sharpness and clarity for portraits, making the Sony FE 85mm F1.8 ideal for portrait photography. Alternatively, you may even use it for landscape and architectural photography. You can get it for just over five hundred dollars.

5. Sony FE 70-200mm F2.8 GM OSS

Sony FE 70-200mm f2.8 GM OSS

Compatibility: Sony E
Minimum Focus:
  96 cm (3.15′)
Filter Diameter:  77 mm
Diameter × length:  88 x 200 mm (3.46 × 7.87″)
Weight: 1,480 g (3.26 lb)

Sony FE 70-200mm F2.8 GM OSS is a high-performance telephoto zoom lens. The constant F2.8 aperture throughout the focal length range is an outstanding feat. Its large aperture and maximum focal length enable you to shoot distant objects even in low light conditions while simultaneously creating decent bokeh.

The G Master design and technology offer unmatched rendering abilities with a fast and precise AF. It comes with advanced double linear and ring Super Sonic Motor (SSM) actuators, which provide the power and precision required for autofocusing in stills and videos for this heavy/full-size lens. With the built-in optical image stabilisation, it can conquer close-up shots in challenging situations. The lens comes with an Extreme Aspherical (XA) element contributing to an extraordinary resolution and superb bokeh. In addition, it can provide natural images with four ED and two Super ED glass elements. These elements further suppress any chromatic aberration to achieve maximum resolution throughout the focal length range. Its minimum focusing distance is just 0.96 meters, good for a 70-200mm lens.

It is sure to break barriers when it comes to close-up performance. The physical features include a focus mode switch, focus range limiter, focus hold button, shake compensation switch, and a shake compensation mode switch. Therefore, I recommend Sony FE 70-200m for wildlife photography. It is available to buy online for just under three thousand dollars.

6. Tamron 28-75mm F2.8 Di RXD lll

Tamron 28-75mm f2.8 Di III RXD

Compatibility: Sony E
Minimum Focus:
  19 cm (7.48″)
Filter Diameter:  67 mm
Diameter × length:  73 x 117.8 mm (2.87 × 4.64″)
Weight: 550 g (1.21 lb)

The Tamron 28-75mm F2.8 Di RXD III (Model A036) lens is only compatible with Sony Alpha-E mount cameras. This lens has always been in great demand due to the convenient focal length range and a constant F2.8 aperture.

This lens, too, does not feature in-built image stabilisation. Instead, the surface of the lens has Tamron’s BBAR (Broad-band anti-reflection) coating that reduces ghosting and flaring and preserves crisp image quality. In addition, this Tamron lens has an integrated new high-speed precision AF drive system with an RXD (Rapid extra-silent stepping drive) motor unit.  The AF motor is fast, precise, and surprisingly silent.

The nine-bladed circular aperture produces perfectly round defocused lights and creates an impressive background bokeh. The build quality is exceptional, with all the appropriate weather sealings to prevent your equipment from moisture and dust. It is precisely balanced for vibrant image quality, superb bokeh, compact size, and lighter weight.

The focal length of 28-75mm is handy for everyday photography, but it’s ideal for portrait, street, and event photography. This lens makes a good option for photojournalists and other media personnel. But you could use it to capture landscapes and cityscapes, too. It is available to purchase for under a thousand dollars. 

7. Tamron 70-180mm F2.8 Di III VXD

Tamron 70-180mm f2.8 Di III VXD

Compatibility: Sony E
Minimum Focus:
  27 cm (10.63″)
Filter Diameter:  67 mm
Diameter × length:  81 x 149 mm (3.19 × 5.87″)
Weight: 810 g (1.78 lb)

The Tamron 70-180mm F2.8 Di III VXD (Model A056) telephoto zoom lens is only compatible with Sony Alpha-E mount full-frame mirrorless cameras. However, the large, constant F2.8 aperture throughout the zoom range guarantees high image quality at even higher focal lengths. Furthermore, the newly developed VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism by Tamron ensures super-fast autofocus with precise and silent metering. In addition, its floating autofocus mechanism can achieve excellent performance at all focal lengths.

It weighs only 810 grams, which is quite remarkable for a telephoto zoom lens, and as it turns out, it does wonders for any full-frame mirrorless camera in the long run. This lens depends on the host camera body for optical image stabilisation as it does not have vibration control. According to Tamron, this lens has the highest autofocus speed and precision in its 70-year history. The new BBAR-G2 (Broad-Band Anti-Reflection Generation 2) coating reduces ghosting and flaring more effectively. It also helps to render subjects evenly under backlit conditions. This lens also has leak-resistant seals throughout the barrel to save your equipment from the weather. This high-performance telephoto zoom lens is ideal for wildlife photography and event photography. It is available to buy online for just over a thousand dollars, making it a good and cheaper substitute for the Sony FE 70-200mm F2.8 GM OSS.


Which lens is best for Sony a7S III?

Based on versatility, Sony 24-105mm f/4 G OSS is the best lens for Sony a7S III. Its focal length allows you to take great portrait and street photos, as well as landscape photos. It is also a great lens for Sony a7s III filmmaking.

What lens mount is Sony a7S III?

Sony a7S III has a Sony E lens mount. t is compatible with Sony’s FE (full-frame E-mount) and E-mount APS-C format lenses. Sony FE lenses are generally more expensive.

Is Sony A7S III worth it?

Sony a7S III is capable of 4K UHD video recording at 10-bit and 8-bit colour depth. At $3,500, it’s worth buying for filmmaking and cinematics.

What is the difference between Sony a7iii and a7S iii?

The key difference between Sony a7S III and Sony a7 III is video recording. Both can record 4K videos, but Sony a7S III can record 4K/60 at full width and 4K/120p with a 1.1x crop. The a7 III can record a maximum of 30fps with no crop.

What lenses work with Sony a7S III?

Any lens with E or FE mount works with Sony a7S III, regardless of its manufacturer. The best-known manufacturers of Sony a7S III lenses are Nikon, Sigma, and Tamron.


Overall, I think that the best lens for Sony is 24-105mm f/4 G OSS. It’s superbly built and offers a great focal length range, which will make shooting with this lens much more convenient. You can go wide, or you can go narrow with this one lens.

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